September 28th to December 1st 2024 Upper hallI: Imprints of Laugarnes graphite works by Carl Philippe Gionet Main Hall: From Various Sources Sigurjón Ólafsson's sculptures |
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IMPRINTS OF LAUGARNES
Graphite works by the multidisciplinary artist Carl Philippe Gionet which explore
the interplay between the natural environment −
particularly the patterns and textures found in the surrounding
rocks − and the artistic legacy of Sigurjón Ólafsson.
Laugarnes, where the Sigurjón Ólafsson Museum is
located, is known for its rugged landscape and rich history,
serves as a primary source of inspiration. | ||
June 1st to September 15th 2024 SCULPTURAL DIVERSITY IN FIBERS AND WOOD Anni Bloch and Sigurjón Ólafsson Press Release in English Press Release in Danish |
Floating Forms |
SCULPTURAL DIVERSITY IN FIBERS AND WOOD
Exhibition of sculptures by the Danish textile artist Anni Bloch and Icelandic sculptor Sigurjón Ólafsson. They have both created unconventional sculptures using old traditional handcrafts. Both of them have worked with natural materials and made full use of the possibilities that the material allowed. Most of Anni Bloch's works are made in silk with needle and thread in the same way as has been done from the beginning of civilization. The works by Sigurjón Ólafsson exhibited here are carved in wood, frequently with add-on pieces. | ||
September 29th to May 12th 2024 Upper hall: HOME and AWAY Main Hall: From Various Sources Sigurjón Ólafsson's sculptures |
Thura − Þuríður Sigurðardóttir No title 2003, oil on canavas |
Þura Oil Paintings by Þuríður Sigurðardóttir − Thura With her works at the exhibition Home and Away, Þura invites us into the world of the child who grew up in Laugarnes. Her playground was here and still is. She has gone on a treasure hunt, scrutinized the vegetation, gathered stones in the beach and experienced the history of the place first hand. She played with the kids in the next houses, got to know the artist Sigurjón Ólafsson’s family and saw people and houses come and go. Markús Þór Andrésson From Various Sources continues | ||
February 3rd − September 24thfall 2023 Upper hall: The Gift of Children Main Hall: From Various Sources |
Svava and Einar Blood Pressure too High LSÓ 109 |
The Gift of Children Sigurjón Ólafsson's reliefs and portraits of the family members of Einar Sigurðsson fisheries magnate in Vestman Islands. In a booklet that accompanies the exhibition, art historian Aðalsteinn Ingólfsson discusses these family portraits in the context of other works by the artist emphasizing the responsibility that Einar Sigurðsson, as a prosperous businessman, felt towards struggling artists. From Various Sources Some of Sigurjón Ólafsson's key works from the period 1938 to 1982 made of different materials, such as plaster, bronze, marble and wood. The title of the exhibition refers to both the variety of the works and their ownership. Some of the works are from Birgitta Spur's founding donation to Sigurjón Ólafsson's Sculpture Museum, which in 2012 was handed over to the Iceland National Gallery, while others are from the private collection of Sigurjón Ólafsson's heirs and others. | ||
Extramural May 21st − September 11th 2022 Poems in Wood Exhibition with works by Sigurjón Ólafsson at Nordatlantens Brygge Copenhagen |
Poems in Wood − a selection of sculptures by Sigurjón Ólafsson. May 22nd Art historian Anne Blond's interview with Birgitta Spur, the widow of ath artist and curatore of this exhibition. In Danish. List of works on exhibition |
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February 5ty − November 27th 2022 Upper hall: A Mural without a Wall Main hall: A Story Unfolds − continues |
Stacking Salt Fish LSÓ 1034 |
A Mural without a Wall.
Poster and sculpture exhibition with the story of one of Sigurjón
Ólafsson's monumental relief
Stacking Saltfish,
originally ment to decorate the house of the Fish Industry in
Reykjavík, but ended as a free standing wall in the
vicinity of the College of Navigation in Reykjavík.
New research shows severe deterioration in the relief
and that previous repair-work were unsuccessful. Brochure. |
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October 19th 2019 − November 30th 2021 A Story Unfolds Sigurjón Ólafsson's Sculptures List of works |
Footballers LSÓ 247 |
A variety of sculptures by Sigurjón Ólafsson, from his student years at the Royal Academy
of the Arts in Copenhagen, till the year he died, 1982. Also to be seen are the sketches for some of his key works that have been enlarged and installed in public areas, e.g. Footballers (LSÓ 247) erected in Akranes, Mask (LSÓ 011) at the Reykjavík City Theater and the Viking (LSÓ 162) which Sigurjón also carved in dolerite and stands in the front of the National Gallery of Iceland. Curator
Birgitta Spur
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Extramural Sepbember 14th 2019 − March 1st 2020 Sigurjón Ólafsson Multiple Forms Exhibition in The Art Museum of Southern Jutland, Tønder List of works |
A retrospecitve exhibition of Sigurjón Ólafsson's works of art. 44 sculptures from Iceland and Danmark
are exhibited and also represented in the Exhibition Catalogue. The catalogue includes articles by Anne Blond curator and art-historians Aðalstein Ingólfsson, Jens Peter Munk, Kerry Greaves, Lise Funder and Æsa Sigurjónsdóttir discuss Sigurjón Ólafsson's contribution to Danish art in the thirties and fourties of last century. Also article by architect Pétur H. Ármannsson who writes about Sigurjón Ólafsson's collaboration with Danish and Icelandic architects. |
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October 20th 2018 − October 6th 2019 Museum's 30 years celebration Connections Sculptures by Sigurjón Ólafsson and some of his Contemporaries Brochure Recollections of Icelandic Colours Stoneware by Sabine Hasler Brochure |
Index Finger LSÓ 093 |
Main Hall Sculptures by Sigurjón Ólafsson, Erlingur Jónsson, Gerður Helgadóttir, Gestur Þorgrímsson, Guðmundur Benediktsson, Guðmundur Elíasson, Hallsteinn Sigurðsson, Helgi Gíslason, Jón Benediktsson, Kristín Jónsdóttir from Munkaþverá, Svava Björnsdóttir, Sverrir Haraldsson, Tove Ólafsson, Örn Þorsteinsson and Páll Guðmundsson from Húsafell. Curator:
Birgitta Spur
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Upper Hall Swiss artist and ceramist Sabine Hasler, who designed and made the coffee service for Museum Café, is a frequent visitor in Iceland. The forms and the glacing of the exhibition objects are influenced by the Icelandic nature. These two exhibitions are connected with a painting by Björg Þorsteinsdóttir. Curator:
Birgitta Spur
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April 28th − October 7th 2018 Two Comrades Asger Jorn and Sigurjón Ólafsson |
− continues |
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April 13th − 22nd 2018 Við mið // at present Collaborative Project of the National Gallery of Iceland, Iceland University of the Arts and the University of Iceland at the Sigurjón Ólafsson Museum New works by MA fine art students from the Iceland University of the Arts engage in a meeting with the sculptures of Sigurjón Ólafsson in a multi-voiced dialogue. The curatorial team consists of MA students from the University of Iceland. |
Exhibition Catalogue (Click to read) |
In the exhibition Við mið / at present nothing stays
in its own place. The exhibition revolves around the act
of cooperation between agents in the past as well as the present.
Sigurjón's sculptural works, the museum established
by his widow, Birgitta Spur after he passed away, as well as the location at
which it is built on,
act as a source for new creation. Ten students of fine arts engage in a
meeting with Sigurjón's sculptures. The product of this
encounter is Við mið / at present and it is echoing
beyond the limits of modernism and into the here and now.
Artists: Guðríður Skugga Guðlaugsdóttir, Katrina Jane Perry, Kimi Tayler, Kirill Lorech, Margrét Helga Sesseljudóttir, Marie Lebrun, María Hrönn Gunnarsdóttir, Pier- Yves Larouche, Ragnheiður Guðmundsdóttir, Sihan Yang and Sigurjón Ólafsson. Curators: Ásgerður Júníusdóttir, Ragnheiður K. Sigurðardóttir, Sunna Ástþórsdóttir and Þorgerður Þórhallsdóttir. Project managers: Bryndís H. Snæbjörnsdóttir, Professor of Fine Art and MA programme director at Iceland University of the Arts, and Æsa Sigurjónsdóttir, associate professor in art history at the University of Iceland. |
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October 21st 2017 − May 2018 Two Comrades Asger Jorn and Sigurjón Ólafsson List of works Brochure with Birgitta Spur's text Asger Jorn - link |
Asger Jorn, Sigurjón Ólafsson and Dagur Sigurjónsson |
Sigurjón Ólafsson and Asger Jorn were both influential figures
in avant-garde art in Denmark in the 1930s and 40s, and they had a close
relationship until Sigurjón returned to Iceland at the end of
World War II. They both participated in the landmark
exhibitions Linien 1937, Skandinaverne 1939 and
Teltudstillingen 1941.
In the summer of 1967 Jorn visited Iceland, when he was working on his great study of ancient Nordic art. He brought with him a number of prints, which at Sigurjón's suggestion he presented to the Association of Icelandic Artists to help finance its planned gallery. The works were purchased by the National Gallery of Iceland. The painting Tron II, which Jorn had given to Sigurjón Ólafsson when he was living in Denmark, was later donated to the National Gallery. By showing works by Asger Jorn in the collection of the National Gallery of Iceland alongside selected works by Sigurjón Ólafsson from the same period, the intention is to open a dialogue which will throw light upon unexplored links between these influential artists. Curator
Birgitta Spur
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September 3rd 2016 − October 15th 2017 Assemblage Sigurjón Ólafsson's wooden constructions List of works on the exhibition. Brochure with text by art historian Aðalsteinn Ingólfsson. |
The Woman in the House LSÓ 1327 |
Sigurjón Ólafsson is known as a traditional sculptor, modeller of
clay and plaster pieces and a welder of iron structures. In addition a large
proportion of his later sculptures out of wood can be classified as assemblages,
consisting as they do of assorted wooden parts, found or reworked, constructed
around a given spatial core.
This show features a selection of these later assemblages, chosen by the artist's widow, Birgitta Spur.
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December 1st − 11th 2016 HVOLFSPEGILL / UPSIDEDOME A collaboration between the National Gallery of Iceland, Iceland Academy of the Arts and the University of Iceland. Exhibition Catalogue |
Eleven MA students of Fine Art at the Iceland Academy of the Arts exhibit their art-works,
in collaboration with student curators at the department of Art History
& Theory at the University of Iceland. The exhibition takes place in the space
where Sigurjón Ólafsson created his sculptures, and within
the exhibition Assemblage - Sigurjón Ólafsson's
wooden constructions. The art-works, working process and methods of
Sigurjón Ólafsson together with the museum
architecture, its history and environment, will direct the
students approach to their art-works. The project is directed by Bryndís Snæbjörnsdóttir Professor in Fine Art at the Iceland Academy of the Arts and Hlynur Helgason Lecturer in Art History and Theory at the University of Iceland. See Iceland Academy of the Arts news . |
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October 17th 2015 − August 28th 2016 Female Idols Sigurjón Ólafsson's woman portraits and figures List of works on exhibition. Brochure with text by Birgitta Spur. |
Woman Bathing, 1948 LSÓ 013 |
To mark the centennial of women in Iceland winning the right to vote,
Sigurjón Ólafsson Museum has created an exhibition of
classical portrait sculptures of women produced by Sigurjón.
Along with those works, other works by the artist are on display.
The works are carved in stone and wood and they focus on the female
image in Sigurjón Ólafsson's art
– Das Ewig-Weibliche –
taking on the image of the goddess. Sigurjón Ólafsson (1908−1982) is among the best known portrait sculptors in the Nordic countries. He created over 200 portrait sculptures, mostly of men who held important roles in society. Ólafsson’s female portraits are less well known, apart from a portrait sculpture of the artist's mother, Guđrún GísladÓttir, created in 1938. For this work he was awarded the much sought after prize; Eckersberg Medal in 1939. Copies of the portrait belong to the collections of three state museums located in the Nordic countries. Curator: Birgitta Spur |
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April 23rd − September 20th 2015 Interplay Sigurjón Ólafsson & Finn Juhl Thinking across Sculpture and Design Sculptures by Sigurjón Ólafsson and furniture by the Danish designer and architect Finn Juhl |
Woman, 1942 LSÓ 1066 |
A new light will be shed on the relationship between the Danish
architect Finn Juhl
(1912-1989) and Sigurjón Ólafsson in the years of 1940
to 1945. Both of them were pioneers, each in his field, and both went
unexplored paths in their experiments with form and material. The exhibition will include Finn Juhl's furniture which he presented at the Copenhagen Cabinetmakers' Guild's furniture exhibitions in 1940 and 1941; the chair The Pelikan and the sofa The Poet, along with sculptures by Sigurjón which Finn Juhl chose to interplay with his furniture. In recent years, the work of Finn Juhl has gained great popularity worldwide. The Danish company Onecollection, who is the main sponsor of this exhibition, patents the production of furniture designed by Finn Juhl. Curators: Birgitta Spur and Æsa Sigurjónsdóttir. |
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January 31st − March 22nd 2015 Upper hall: An Artist at the Saga Sites Drawings by the Danish painter Johannes Larsen from his journeys to Iceland in 1927 and 1930. Special Events: Museum Night - Feb 6that 8:00 and 9:30 pm. Sundays at 3:00 pm: Feb. 15th, 22nd, March 1st, 15th and 22nd. See List of events (in Icelandic) Main hall: Selected works by Sigurjón Ólafsson |
Sacrificial Stone at Þórsnes Johannes Larsen, 1927 |
In 1926 the Icelandic and Danish authors Gunnar Gunnarsson
and Johannes V. Jensen initiated the publication of a Danish
translation of the Icelandic Sagas. Its purpose was to
celebrate one thousand
years of the establishment of the Parliament at Thingvellir
in 1930. The Danish artist Johannes Larsen (1867-1961) was commissioned to visit Iceland and make illustrations for this publication. His drawings were meant to give the Danish readers an insight into the landscape of the historical sites of the Sagas, but not to illustrate its events or characters. Johannes Larsen came twice to Iceland for this purpose, the summers 1927 and 1930, and traveled around the country on horseback, often under difficult conditions, with his companion, Ólafur Túbals, a farmer and a painter, from Múlakot in Fljótshlíð. On these trips Johannes Larsen made around three hundred drawings, of which 188 appeared in the publication of Sagas. The drawings in this exhibition are from the private collections of Johannes Larsen's family members in Denmark, Sweden and the USA. Thanks to the effort of Vibeke Nřrgaard Nielsen, who is the curator of this exhibition, these art works are exhibited here. Last spring they were also exhibited at Nordatlantens Brygge in Copenhagen. The bulk of Johannes Larsen's work, is found in Johannes Larsen Museum in Kerteminde, Fyn, Denmark. Sponsors: •Johannes Larsen Museum, Denmark, •The Velux Foundation, •The Foundation for Danish-Icelandic Cooperation, •Hede Nielsens Family Foundation, •TVG-Zimsen in Iceland and •the Danish Embassy in Iceland. |
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May 24th − Oct 31st / Nov 30th 2014 Tracks in Sand Retrospective Exhibition of Sigurjón Ólafsson's works In Sigurjón Ólafsson Museum and the National Gallery of Iceland. |
Tracks in Sand LSÓ 160 |
A selection of Sigurjón Ólafsson's
works from his studies in 1928 − 1935
in his museum at Laugarnes while
later works (1936 − 1982) are exhibited in the halls
of the National Gallery of Iceland, at
Fríkirkjuvegur 7. Also there are sculptures by
his Danish collegues from that time, Asger Jorn,
Ejler Bille, Erik Thommesen, Robert Jacobsen and
Sonja Ferlov. More Exhibition Catalogue with article by Art Historian Æsa Sigurjónsdóttir Sep. 6th 2014, Seminar on Sculptor Sigurjón Ólafsson. Tracks in Sand a volume with seminar papers, published in 2017. |
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February 7th - May 4th 2014 Children at Play Selection of sculptures by Sigurjón Ólafsson |
Children at Play LSÓ 206 |
An exhibition of sculptures from the oeuvre of Sigurjón
Ólafsson. The title of the exhibition, Children at Play, refers both to Sigurjón's 1938 relief of the same name and to other works in the exhibition that might awaken children's and teens' interest in Sigurjón's art. Guided Tours, see here List of works |
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April 25th - December 1st 2013 De Profundis Sculptures by Sigurjón Ólafsson Paintings by Þorvaldur Skúlason, Svavar Guðnason, Nína Tryggvadóttir, Kristján Davíðsson and Guðmunda Andrésdóttir |
Composition LSÓ 014 |
The exhibition brings together works from the collections of
the Sigurjón Ólafsson Museum and the
National Gallery of Iceland, juxtaposing sculptures by
Sigurjón Ólafsson with paintings by a number
of his contemporaries. During their formative years all
the artists featured had studied in foreign
countries, where they were active in the avant-garde art
scene. On their return to Iceland they became trailblazers in the revolution of form known as Modernism, a period when Icelandic art flourished as never before. The title of the show, De Profundis, points out that beneath the smooth surface of the works we may glimpse a white-hot turbulence and anguish which evoke that era of Cold War. A brochure on the exhibition |
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February 10th 2012
- April th 2013 Milestones Sigurjón Ólafsson's key sculptures |
Two Sisters, Inger and Ingeborg Pedersen, LSÓ 191 |
The exhibition encompasses a period of a little over fifty years in the middle of
the 20th century, providing insight into the various periods of the art of
sculptor Sigurjón Ólafsson.
A brochure on the exhibition by Birgitta Spur | ||
17. September - 27. November 2011 Hryggjarstykki Sculptures by Svava Björnsdóttir |
Svava Björnsdóttir |
Exhibition of Svava Björnsdóttir's
new suclptures, made of compressed paper, and selected sculptures
of Sigurjón Ólafsson. Some of Svava's works are voluminous sculptures while others are a combination of sculpture and painting where colours and forms add up to a poetic unity. The title of the exhibition, "Hryggjarstykki" meaning "Backbone", refers to a lost medieval manuscript of Kings Sagas. Posters in Icelandic Also selection of Sigurjón Ólafsson's sculptures. |
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Extramural: 11. September - 23. October 2011 Kai Nielsen and Icelandic Modernists In Svendborg Art Museum Denmark |
Svendborg Amts Kunstforening Denmark Tourist informations |
Sculptures by Kai Nielsen and Sigurjón Ólafsson,
aquarelles by Hafsteinn Austmann and Björg Þorsteinsdóttir
and oil paintings by Þorvaldur Skúlason,
Nína Tryggvadóttir, Guðmunda Andrésdóttir
and Kristján Davíðsson (all Icelandic except Kai Nielsen,
Danish) • Svendborg Museum (in Danish) • The exhibition (in Danish) • Concert 29 September: "Images in Music" (in Danish) |
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11. February - 28. August 2011 Sigurjón Ólafsson's Pillars and Icelander |
Dragon LSÓ 094 |
The pillar in various forms is one of the leitmotifs
of the work of sculptor Sigurjón Ólafsson
from his first independent work in Copenhagen [e.g.
The Stem ] in the 1930s to his final works of 1982.
Auður Ólafsdóttir:
Íslandsmerki og súlur Sigurjóns,
Article in English, LSÓ, 1994
The best known of Ólafsson´s pillars, are without little doubt the monuments, e.g. Emblem of Iceland at Hagatorg and Throne Pillars at Höfði [Hofdi] summit house, both in Reykjavík. This exhibition, however, focuses on a selection of wood-pillars and columns from the artist last decade.
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September 16th
- November 28th 2010 "My dear Erlingur, what are you up to now?" Sculptures by Erlingur Jónsson and Sigurjón Ólafsson |
Erlingur Jónsson |
Erlingur Jónsson was born in 1930
near Keflavík, Iceland and worked as a teacher of art and craft in the
vicinity until he, in the early eighties, moved to Norway and received
his diploma in visual arts from the Telemark Lćrerhøgskole Notodden.
Consequently he taught visual arts and handicraft at high schools and
colleges in the greater Oslo area until his retirement. He is very productive
as a sculptor and is represented by numerous public sculptures both in
Norway and in Iceland. In the 1970ies Erlingur Jónsson was a frequent visitor in Sigurjón Ólafsson's studio at Laugarnes both as a friend and as an assistant. He often brought pieces of nobel wood for Sigurjón, which was hard to get in Iceland. Erlingur would come and go like a bird, carrying with him the atmosphere of culture - art, music, literature and philosophy. He was the person who had the most insight into Sigurjón's methods and work in these years, and later, when the Sigurjón Ólafsson's museum was in the need of having one or more of Sigurjón's sculptures enlarged or rebuilt, Erlingur was trusted for the task. Sigurjón Ólafsson's and Erlingur Jónsson's friendship is reflected in the title of the exhibition: "My dear Erlingur, what are you up to now?" |
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February 12th - September 5th 2010 In upper hall Who is who? |
Guðmundur Thoroddsen, LSÓ 248 |
An exhibition with some of Ólafsson's portraits of well known Icelandic characters and visitors Visitors are supposed to recognize who is who. | ||
October 21st 2008 -
September 5th 2010 A Moment with Sigurjón Ólafsson on the occasion of the centennial of the artist |
This exhibition is specially arranged for children
accompanied with adults and intended to be an eye opener. At the enterance the visitors receive special cards with informations on the sculptures, questions and key words to start discussion about them. List of works (in Icelandic) The exhibition was modified in February 2012 |
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Extramural: October 4th - November 9th 2008 Sigurjón and Þorvaldur - Two Modernists In Hafnarborg - the Hafnarfjörður Institute of Culture and Fine Art |
Þorvaldur and Sigurjón |
Sigurjón Ólafsson's sculptures and Þorvaldur
Skúlason's paintings and drawings. In cooperation with the
University of Iceland,
Art collection. Þorvaldur Skúlason (1906-1984) and Sigurjón Ólafsson (1908-1982) first met in the 1920s in Reykjavík and later they became pioneers of modernistic art in their homeland. These two artists and close friends always respected each others work and exhibited frequently together. MORE • A Catalogue, 48 pages, with articles by Gunnar J. Árnason and Auður Ólafsdóttir. In Icelandic. • A DVD with three documentaries • Pictures from the exhibition |
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Extramural: September 26th - December 31st, 2008 Sigurjón Ólafsson's Portraits The Museum of National History at the Frederiksborg Castle Hillerød |
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Celebrating Ólafsson's
centennial, the renowned Museum
of National History at the Frederiksborg Castle exhibits 26 of his portraits,
made of material ranging from terracotta to gabbro and granite. The exhibition catalogue, gives a view of Ólafsson's portraying and his contribution to Danish cultural life, while studying and working in Denmark in the period 1928 - 1945. The Danish art historian Charlotte Christensen writes the main article. 128 pages, published in English and Danish version. Photos from the exhibitioin |
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Extramural: June 14th - August 31st, 2008 Concrete in Flight At Búrfell Power Station, Central Iceland |
Búrfell Power Plant |
Exhibition related to the
bas-reliefs
which Ólafsson made in the late 1960s for the façade
of the Búrfell Power Station. In cooperation with Landsvirkjun, the owner of the power plant. Open daily in the afternoon, free admission Leaflet in English |
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April 5th - September 7th, 2008 From the Museum's Collection |
An exhibition of Sigurjón Ólafsson's sculptures
selected for the royal visit on May 5th 2008 when Danish Crown
Prince Frederik and Crown Princess Mary accepted the Museum's invitation
in their official visit to Iceland. List of works (in Icelandic) Selection of pictures ©: Anne-Mette Kruse, Denmark |
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February 23rd - November 30th, 2007 www.lso.is Exhibition of Sigurjón Ólafsson's sculptures selected by primary school pupils |
Viking, LSÓ 162 |
Sigurjón Ólafsson's Catalogue Raisonné
has recently been made accessible on the internet. For this occasion,
children from 6th to 10th grade of the primary schools were asked to select
"their" favourite work from the internet-catalogue for this
exhibition, verifying their choice in a written statement or a poem. |
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September 17th - November 30th, 2006 Wheel-Plow-Wings Hallsteinn Sigurðsson's sculptures |
Hallsteinn Sigurðsson |
Hallsteinn Sigurđsson, born 1945, began
his career in art nearly four decades ago. He studied in London, returning
to Iceland 1972. In London he encountered a thriving sculpture scene with
young artists influenced by the innovations and teaching of Anthony Caro
and the 'New Generation’ sculptors. Hallsteinn works in metals, most often
iron or aluminum, and his sculptures show a highly personal evolution
of the open, 'architectural’ formalism of Caro and his followers. His
constructions have become progressively lighter and more transparent,
the formal structure lightly drawn in space with shaped rods and curving
sheets of metal. Hallsteinn Sigurđsson’s works can be seen in a sculpture
park in Gufunes, north-east Reykjavík, where some twenty-five sculptures
of his are exhibited. (Jón Proppé, 2006) |
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May 27th - Sept 3rd 2006 Summer Exhibition |
Desire, LSÓ 234 |
Selection of Portraits and Sculptures by Sigurjón
Ólafsson List of works |
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February 24th - May 14th 2006 Visions of Earth, Sea and City Poems by Berglind Gunnarsdóttir Textile by Helga Pálína Brynjólfsdóttir Sculptures by Sigurjón Ólafsson |
Helga Pálína Brynjólfsdóttir: Ruins |
A meeting of three artistic forms
Textile works by Helga Pálína Brynjólfsdóttir and poetry by Berglind Gunnarsdóttir meet with wooden sculptures by Sigurjón Ólafsson in dreamy visions of earth, sea and the city of Reykjavík. |
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February 4th - 19th 2006 Sculptures by Sigurjón Ólafsson |
Hermes, LSÓ 168 |
Selection from the Museum's collection
Illustrated brochure |
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September 17th - November 27th 2005 Lava Flowers Encounter with Iceland Carl-Henning Pedersen Else Alfelt Svavar Guðnason Sigurjón Ólafsson
Travelling exhibition
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Else Alfelt The Blue Flower of the Lava |
Exhibition with paintings by the Danish COBRA artists Else Alfelt and
Carl-Henning Pedersen from their half year visit to Iceland in 1948. Also
works by contemporary Icelandic artists Svavar Guđnason and Sigurjón Ólafsson. In a catalogue article, art historian Ađalsteinn Ingólfsson discusses the importance of this visit to Icelandic artists of that time, just after the second world war. Hanne Lundgren and Æsa Sigurjónsdóttir, also art historians, write articles to introduce the artists and their works. Illustrated press release - in Icelandic Pictures from the exhibition |
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Februar 5th - September 4th 2005 Acquisitions, Donations and some of Ólafsson's key works |
Sculpture LSÓ 259 |
The exhibition comprises 23 sculptures by Sigurjón Ólafsson from different
periods, representing a broad scale of styles and materials, ranging from
granite, wood and plaster to various types of metal. Most of these works
have been acquired in the last decade, purchased or been donated. A brochure with notes on the sculptures on display |
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September 10th - November 28th 2004 A Slice of The Moon Sculptures by the Greenlandic sculptor Isle Hessner
Travelling Exhibition:
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Born 1962 in Nanortalik Greenland, Isle Hessner is considered
a pioneer of contemporary Greenlandic art. She has always expressed herself
very independently through her original imagery. While her works are rooted
in earlier traditions, they are at the same time extremely modern, bearing
witness to her sincere searching for a permanent image in an ever-changing
present. The exhibition will provide visitors with insight into the flourishing world of contemporary Greenlandic art. The aim of the exhibition is to encourage personal connections and mutual understanding between the countries it visits, and strengthen the self-image of Greenlanders and ties between Nordic countries. Visiting the exhibition, also Greenlandic artist, Jessie Kleemann performed a drum dance September 25th and 26th in the Museum. |
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Extramural: May 10th - 15th 2004 Master Portrait 28 Cork Street, London |
My Mother, LSO 007 |
Each year the
British Society of Portrait Sculptors chooses a Masterwork by a past
master sculptor to show excellence in portrait sculpture as well as highlight
the work of a particular sculptor. The Masterwork for 2004 is a portrait
sculpture from the intriguing Icelandic sculptor Sigurjón Ólafsson:
My Mother. There was the opportunity to see this marvelous portrait by Ólafsson on the Society's yearly exhibition FACE 2004 in the gallery at 28 Cork Street, London between May 10th and 15th. A cast of this sculpture belongs to the National Art Galleries in Iceland, Denmark and Sweden. |
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October 25th 2003 - September 5th 2004 Sigurjón Ólafsson's Works in Public Space |
Emblem of Iceland, LSÓ 048 |
Poster exhibition and sculptures related to Ólafsson's monuments
and public sculptures. More than 30 art-works by Ólafsson, monuments and wall-reliefs, are found in public space in Iceland and Denmark. The first sculpture that Ólafsson created as a public monument was a four metres high relief made in clay and casted in concrete, which he named Stacking Salt Fish (1934-35), now situated at the Navigation School in Reykjavík. This puristic work is an hommage to the working classes and so are many other monumental sculptures of his, such as the famous ones on the Town Hall Square in Vejle, Denmark. These symbolize Agriculture, Handicraft, Trade and Industry. In Reykjavík you can see about 20 of Ólafsson's sculptures in public space. The best known are without doubt Emblem of Iceland at Hagatorg, Throne Pillars in front of Höfði House and the Pack Horse in the outskirts of Reykjavík. |
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October 18th 2003 Sigurjón Ólafsson and Art in Public Space |
Búrfell Power Plant in Þjórsárdalur |
Conference in the Nordic House, Reykjavík commemorating the opening
of the Museum to the public fifteen years earlier, in October 21st
1988. Program |
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August 31st - September 28th 2003 Masters of the Third Dimension From the History of the twentieth century Exhibition in cooperation with the Akureyri Art Museum Sculptures were borrowed from the Staatliche Museen zu Berlin |
Degas: Dancer examining the Sole of her foot |
Sculptures by some of the most prominent European artists from the late
19th and twentieth century and their Icelandic contemporaries. Artists include: Degas, Archipenko, Maillol, Moore, Marino Marini, Manolo, Laurens, Renoir, Barlach, Kollwitz, Hartung, Sol LeWitt, Schwegler, Per Kirkeby, Axel Lischke and the Icelandic pioners of sculpture art: Einar Jónsson, Ásmundur Sveinsson, Sigurjón Ólafsson and Gerður Helgadóttir. |
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June 1st to August 21st 2003 Portraits and Abstractions by Sigurjón Ólafsson continued |
Svava Ágústsdóttir |
Sigurjón Ólafsson's career as a portrait artist began very
early, or as soon as he entered the Royal Danish Academy of Fine Arts in
1928 and he is now regarded as one of the most inspired and sensitive creators
of portraits in Scandinavia. The solid academic schooling he received gave him the foundation to be able to master any style he desired, which can be seen in his works as early as from 1936 - 37. On this exhibition there will be a large selection of portraits and abstract sculptures in different styles and materials where the basis is the human body and its forms. List of works on exhibition (pdf - Icelandic) |
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April 5th - May 4th 2003 STERLING STUFF Small Silver Sculptures and Sigurjón Ólafsson's sculptures |
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An exhibition from
Pangolin Edition, one of Britain's leading sculpture foundries. Fifty
one sculptors were invited to make a piece, no bigger than 15 cm in its
largest dimension to be cast in silver. The exhibition was on display in
Gallery Pangolin in November and December 2002 and after being here
it will be set up in the Royal Academy of Fine Arts in London. In Iceland Sigurjón Ólafsson´s sculpture Racket Troll (LSO 197) was added to the exhibition. |
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October 5th 2002 - March 30th 2003 Portraits and Abstractions by Sigurjón Ólafsson |
Ragnar Jónsson í Smára |
See above | ||
July 6th to September 22nd Pure Forms Sculptures by Sigurjón Ólafsson |
Four-sided Form, LSÓ 224 |
The summer exhibition in Sigurjón
Ólafsson Museum, is a selection of sculptures by Sigurjón
Ólafsson, spanning the period of 45 years, from his early neo-plasticistic
work Footballers (LSÓ
247) to the completely abstract wooden sculptures which he created in
his last years. Strong and pure forms dominate many of his best sculptures
and give them monumental dimensions. Some of Ólafsson's marvelous portrait busts will also be on display. |
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May 23rd - June 30th 2002 Woman - madam, crone, miss and the lady... The Sigurjón Ólafsson Museum's contribution to the Reykjavók Arts Festival 2002 |
Woman, LSÓ 1066 |
The exhibition consists of eleven sculptures by Sigurjón Ólafsson
representing the The Woman and describes, in different ways, her
position and feelings. On this thematic exhibition visitors have the opportunity to experience how eleven Icelandic female poets interpret these sculptures. Each of them has written a poem inspired by one of the sculptures on display and at the opening they will recite their own texts. In this way the visual art and the poems form a new context. A recording of the performance is available and visitors can listen to the poets while watching the exhibition. The poets are: Elísabet Jökulsdóttir, Fríða Á. Sigurðardóttir, Guðrún Eva Mínervudóttir, Ingibjörg Haraldsdóttir, Kristín Ómarsdóttir, Linda Vilhjálmsdóttir, Margrét Lóa Jónsdóttir, Sigurbjörg Þrastardóttir, Vigdís Grímsdóttir, Vilborg Dagbjartsdóttir and Þórunn Valdimarsdóttir. |
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Extramural March 3rd - April 7th 2002 Sigurjón og Ólafsson − retrospective In Center for Visual Arts in Akureyri |
First exhibition of Sigurjón Ólafssons
sculptures in North Iceland. Art Historian Aðalsteinn Ingólfsson wrote an article in Icelandic for the web. |
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November 10th 2001 -
April 28th 2002 Winter Exhibition Sigurjón Ólafsson Closed in December and January |
Ghost, LSÓ 1066 |
The upper hall displays some of the humorous works that Sigurjón
Ólafsson made in wood, especially in his last years. In these sculptures
you find objet trouvé, constructions made of pieces at hand
without much carving or reforming. In the main hall there is a selection of Ólafsson's sculptures, covering numerous materials, methods and styles. |
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September 1st -
October 28th 2001 Reflections Helgi Gíslason |
New sculptures by Helgi Gíslason The concept of this exhibition is the human body in negative and positive forms. |
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June 1st - August 31st 2001 Tradition and Avant-garde |
Mythical Creature, LSÓ 015 |
This exhibition focuses on a 30 year period of
Sigurjón Ólafsson's
sculptures (1930 - 1960) during which he created some of his greatest works. These include the sculptures at Vejle, LSÓ 1062 and LSÓ 1063 and the statue of Rev. Friðrik Friðriksson in the Center of Reykjavík |
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November 5th 2000 - January 4th 2001 Nearer to Thee Religous themes in Scandinavian Art Travelling Exhibition:
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Sculptures, paintings and textiles by Ásmundur Sveinsson,
Sigurjón Ólafsson, Samuel Joensen-Mikines, Hannah Ryggen,
Jakob Weidemann, Olivia Holm-Møller, J.A. Jerichau, Robert Jakobsen
and Svend Wiig-Hansen. In cooperatioin with Ásmundarsafn, Art Museum of Reykjavík. Exhibition catalog in Icelandic and Danish. |
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June 1st - October 29th 2000 Selected Works by Sigurjón Ólafsson |
Rev.Friðrik Friðriksson |
The exhibition Tracks in Sand with the addition of a
poster session and sculptures to support a summer course for
children of age 11 to 14, held by the Museum: The History in the Landscape - Nature, Settlement, History and Art |
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June 1st 1999 - May 2000 Tracks in Sand |
Tracks in Sand, LSÓ 160 |
Sigurjón Ólafsson Retrospective |
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Extramural: June 17th - July 11th 1999 Sigurjóns Ólafssonar Sculptures Kirkjuhvoll, Akranes Art Center |
Footballers |
An exhibition of fourteen sculptures by Sigurjón,
selected by Birgitta Spur aiming to reveal his diversity as an artist. For the community of Akranes, West Iceland |
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October 21st 1998 - spring 1999 Sigurjón Ólafsson Retrospective In Sigurjón Ólafsson and Hafnarborg, The Hafnarfjörður Centre of Culture and Fine Art |
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To commemorate Sigurjón Ólafsson's birthday,
Oct. 21st, and the publication of his biography (in Icelandic).
The Hafnarborg section opened October 31st and closed December 31st. |
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August 8th - 30th 1998 Meeting Friends in upper hall |
Paintings by some of Sigurjón artist friends: Guðmunda Andrésdóttir, Kristján Davíðsson, Þorvaldur Skúlason and Jóhannes Jóhannesson. |
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July 11th - August 2nd 1998 Nína Tryggvadóttir in upper hall |
Twenty one abstract paintings by Nína Tryggvadóttir from the period 1960-1967. | |||
July 11th - August 31st 1998 Summer Exhibition in main hall |
A selection of Sigurjóns Ólafsson's sculptures to match upper hall exhibitions: Nína Tryggvadóttir and Meeting Friends. | |||
April 25th July 5th 1998 Metalworks Visitor: Örn Þorsteinsson |
Örn Þorsteinsson: On Wheels, 1996 |
Art Work of Örn Þorsteinsson Small sculptures and reliefs of silver, tin, bronce, aluminum and wax and larger sculptures of cast iron. |
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september 1997 - apríl 1998 Air-borne |
Fljúgandi diskar, LSÓ 095 |
Sculptures by Sigurjón Ólafsson from the period 1937-1981. Selection of works which are light in structure and seem to challenge the gravity itself. |
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June 13th - September 1st 1997 Growth |
Growth, LSÓ 096 |
Sigurjón Ólafsson's sculptures which in names or forms relate to nature and growth. | ||
September 7th 1996 - June 13th 1997 Selected works by Sigurjón Ólafsson |
In Danger, LSÓ 155 |
Exhibition specially set up for primary school pupils. The sculptures selected had names which were easily interpreted by its form. Primary Schools were invited to visit the museum. |
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Extramural: September 29th - October 5th 1996 Poster Exhibition in Horsens, Jutland DK |
Commerce and Industry LSÓ 1063 |
Poster exhibition, made for 'Icelandic Week' in Horsens, Jutland, giving
insight in the background and history of Sigurjón Ólafsson's
monumental sculptures at the Town House Square in Vejle, Jutland. From Horsens, the exhibition was moved to Vejle for four weeks and then to Sigurjón Ólafsson Museum where it became a part of the exhtibion 'Selected works by Sigurjón Ólafsson'. |
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June 9th - Septemer 1st 1996 Dialogue on Eerie Beings Páll á Húsafelli Sigurjón Ólafsson |
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An exhibition by Páll á Húsafelli. A dialog of Sigurjón Ólafsson's, and his own sculptures. Illustrated exhibition catalogue with article in English: "Nature's Memories: On the sculptures of Sigurjón Ólafsson and Páls Guðmundsson" by Aðalsteinn Ingólfsson. |
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January 27thjanúar -
May 19th 1996 Selected Portraits |
Stefán Stefánsson Head-Master, LSÓ 216 |
Mostly the same exhibition as "Those Rounded Stones", but now with
paintings of same persons by Ásgrímur Jónsson,
Jóhannes Kjarval, Jón Stefánsson and Kristján
Davíðsson. Visitors may realize how different artists interpret these well known Icelandic figures in a different way. |
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August 26th - September 17th 1995 Textiles Grete Borgesrud in upper hall |
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Textiles by the Norwegian artist Grete Borgersrud. Exhibition brochure |
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24. júní 1995 -
7. ágúst 1995 Once upon the Time... Gunhild Skovmand in upper hall |
Silhouettes by the Danish artist Gunhild Skovmand. An Exhibition catalogue in Icelandic and Danish with Birgitta Spur's Forewords, "Thoughts" by the artist and "On Silhouettes" by Hans Laumann Hans Laumann. Catalogue (pdf 7.5 Mb) |
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April 22nd 1995 -
January 21st 1996 Those rounded Stones |
Sigurður Nordal, LSÓ 1086 |
Portrait exhibition. To celebrate the publication of a video, made by the Museum, on Sigurjón Ólafsson's methods creating portraits. This tape "Those rounded Stones" received Silver screen award in the category of Education: College and Advanced education at the US International Film and Video Festival in 1994. |
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February 25th - March 20th 1995 From primitivism to post-modernism In Sigurjón Ólafsson and Hafnarborg, The Hafnarfjörður Centre of Culture and Fine Art |
Sculpture exhibition in cooperation with
Hafnarborg, a contribution
to SUNBEAMS, Scandinavian cultural event. Over 40 sculptures by 5 Scandinavian artists: Bror Hjorth (Sweden), Sigurjón Ólafsson (Iceland), Mauno Hartman (Finnish), Bjørn Nørgaard (Danish) and Gunnar Torvund (Norwegian) An exhibition catalogue with articles in Icelandic and English. |
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June 3rd 1994 - January 15th 1995 Emblem of Iceland and Sigurjóns Ólafsson's Pillars |
Emblem of Iceland LSÓ 1278 |
Exhibition concentrating on this monumental work which was erected to
commemorate the 25 years independence of Iceland.
Exhibition catalogue, 72 pp with articles in Icelandic and English by Auður Ólafsdóttir. |
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October 2nd 1993 - May 1st 1994 IDEA - SCULPTURE from Sigurjón Ólafsson work shop |
Children at Play, LSÓ 1278 |
The aim of this exhibition was to follow an idea from the first sketch
up to the final sculpture. Sketches, tools and methods. |
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May 29th - August 31st 1993 Images in a Mountain |
Exhibition related to Sigurjón Ólafsson's reliefs at
Búrfell Power Plant in 1966 − 69. Sketches, methods, tools and related sculptures. Video tape, by Ásgeir Long, on the creation of the reliefs. |
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31. maí - 1. október 1992 Sigurjón Ólafsson's Youthhood Work of Art |
Connected to Family Days at Laugarnes (31.05.92-16.06.92) In upper hall: Ólafsson's drawing from young age, a donation to the museum from his brother Gísli Ólafsson and sister in law Kristín Einarsdóttir. Main hall: Sculptures which are not fragile nor sensitive to being touched by children. This Exhibition will be on display in Ólafsson's childhood town Eyrarbakki October 17th - 25th |
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November 7th 1992 - spring 1993 Winter exhibition |
Selection of sculptures by Sigurjón Ólafsson. | |||
October 21st 1991 - May 3rd 1992 Sigurjón Ólafsson - Denmark Iceland
Travelling Exhibition:
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Surtur, LSÓ 042 |
First retrospective exhibition of Sigurjón
Ólafsson's sculptures in Denmark. With an exhibition catalogue in Danish and Icelandic |
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June 3rd 1990 - September 30th 1991 Sigurjón Ólafsson's Portrait |
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Sigurjón Ólafsson's first portrait
exhibition. 27 portraits and pictures of 19 more. Catalogue |
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October 21st 1989 - May 6th 1990 Metal work and acquititions |
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Sculptures from Ólafsson's relatively short
"iron age", 1960 - 1962. While at Reykjalundur sanatorium he had access
to the workshop facility and created sculptures of iron based on old
Icelandic magic signs. Aðalstein Ingólfsson writes an article on this "Iron Age" in Icelandic and English in Exhibition Catalogue |
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August 1st October - 1st 1989 Late summer show 1989 |
Upper hall: Portrait-paintings by Kristján Davíðsson. Main hall: Sigurjón Ólafsson sculptures |
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October 21st 1988 through July 1989 Sigurjón Ólafsson -retrosptective |
Opening exhibition |